Tuesday, January 3, 2012

[www.keralites.net] Lomo Lifestyle : Beautiful Lomography Snapshots

 

Lomo Lifestyle : Beautiful Lomography Snapshots 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 

Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 


Fun & Info @ Keralites.net 





















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Lomography:
Similar to Eastman Kodak's concept of the "Kodak moment," the Lomography motto of "don't think, just shoot" presumes spontaneity, close-ups, and ubiquity, while deemphasizing formal technique. Typical lomography cameras are deliberately low-fidelity and inexpensively constructed. Some cameras make use of multiple lenses and rainbow-colored flashes, or exhibit extreme optical distortions and even light leaks.
Current models marketed by Lomographische AG include Lomo LC-A, Diana, Holga, Holga 35mm, Actionsampler, Frogeye, Pop-9, Oktomat, Fisheye, Fisheye2, Colorsplash, Colorsplash Flash, F-stop Bang, SuperSampler, Horizon 202, Seagull TLR, and Smena 8M. The company also resells dead stock Polaroid cameras and Russian dead stock - the sort normally acquired at "quirky, old-school camera shops," as the company's web site puts it.
The Lomo LC-A lens effect can be digitally emulated with photo-editing software such as GIMP or Photoshop.[3] In addition, the company's promotional web site for Lomography showcases many high-contrast photographs - with unusual saturation and color - that were created using the technique called cross processing in which film intended for developing in slide chemistry (E-6) is processed in photographic negative chemistry (C-41), and vice versa. This technique can be employed with any film camera and can be somewhat mimicked with digital software as well. However the use of digital manipulation to create these effect goes somewhat against the principals of Lomography and is generally far more satisfying to achieve these effects purely from the camera and film's processing itself.



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